Traveling Travelling

THESIS 2015






Cover from The travelling companions, landscape d’Augustus Leopold Egg.

 Thesis Reference blog: http://travelingtravelling.tumblr.com












PROLOGUE
The tracking aesthetic focuses on different real movement techniques
in order to obtain a significant variation of points of view.
It is considered as one of the specific articulations of the cinematographic language,
and conveys multiple narrative meanings according to its use.
He is also a sensor of the real, in an idea of representation.

In the hypothesis that the tracking is a form of thought in itself independent of the cinema,
with this last one for origin, we will deploy its symbolic tree.
How can tracking can come out of the screen?
Can tracking can become a writing technique? Is not it already?
Can tracking can make poetry?

This dissertation is constructed as a montage of sequences that constitute
reflection spaces in which notions of rewriting in the post-media era are incarnated,
questioning the limits and definitions of genres.
These openings are crossed by a voiceover coming across a territory
between saying it and seeing it.










TRAVELING TRAVELLING


Prologue



TIME TRAVELING
Explorateur de temps
le travelling comme machine à voyager dans le temps



RYTHMES
Le ralenti
Table ronde en slow-motion,
Bill Viola, Jean Painlevé, Eadweard Muybridge et Etienne-Jules Marey
I slept



FICTIVE MEMORY
Mike kelley invente un passé, Day is done
MOUVEMENTS Recul de caméra, distance le dos
Fish Tank wandering



BACK TALK
Anecdote dans la chambre rouge, sur le tournage de Twin Peaks Huit clos en citroen croisant des grues,
des grues croisant une citroen en Huit clos.



SEUIL
Travelling vers un seuil, le temps stoppé
le murs invisible, Julian Roman Pölsler Moral et transgression, avec Jean-Luc Godard Aveuglement (Antonioni)



MONTAGE-NARRATION
Boucle travelling
Poids de la technique dans le résultat narratif Métathéâtre



RÉÉCRITURE
Écrire l’invisible
M.Duras, écriture cinématographique G.Pérec, l’homme qui dort (voix o ) A.Varda, plasticienne de cinéma. Le temps d’une tasse de thé
Le révélateur, Philippe Garrel Extrait d’interview
Écriture d’image sonore d’un plan séquence



FICTIV GROUP SHOW
Ginevra, Actio
the poetry project Denis Adams Julien crépieux






















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Pauline Bernard
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pauline@melrozs.
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